This instrument is part of a long term research project into the first ukuleles made in Hawaii. I researched the three Madeiran builders and the tools, techniques and materials they used to make their instruments. A few years ago I went to Hawaii to study instruments in the Bishop Museum and also met with Shawn from www.ukulelefriend.com. I then created my own models that reflected this work but used some modern features.

This ukulele has Curly Koa back, sides, fretboard and headplate, which I got from a retiring builder. The top is some Redwood, salvaged off the beach by Chris at Yodel Boy Woodworks. The neck is some Western Red Cedar. All the binding and inlay was made by me from scraps of Walnut, Maple, Myrtle and Oak. It has a radiused fretboard, geared tuners, fluorocarbon strings and a bone nut and saddle. I am very honored to get to do this work and intend to pay back the people of Hawaii when possible. Part of my profit from this uke will go to Ho’oulu ‘Aina, a nature preserve, craft school, cultural knowledge and health care non profit.

“Attached is a photo of my Beansprout family relaxing on the couch with the new baby in the middle.

No picture could do this Kingdom Era Ukulele justice; the Redwood and the Koa absolutely glow, and the colors go well together. The rope binding stands out, but the woods chosen for it really help to unify the top and the back and sides. I opted for the wooden case, the craftsmanship is great, and it gives a nice old time feel to the whole setup.

The more I play the Uke, the more I’m drawn to soprano with a High G, and, for a wee little thing, this uke really sings. Nice volume, decent sustain, and, when fingerpicked, a very sweet tone. When strummed it has a nice little island jangle to it. This little beauty really sings. I usually rotate my ukes from day to day, but it’s been hard not to reach for this one.

Thank you Aaron and Nicole, and congratulations on passing 1000.

- R. E.
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